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Baume & Mercier honors Pierre Soulages, one of the great Master of Modern art. The House takes inspiration from his work to produce a unique timepiece: the Hampton “Hommage à Pierre Soulages.”

In January 1979, the major abstract artist Pierre Soulages inaugurated a series of works at his Parisian workshop which he called Noir-Lumière. In 1989, the series became known as Outrenoir.  The surface of each painting is coated with black paint in various states, textured into low relief with tools and brushes.  Each Outrenoir painting plays on with the light that reveals its appearance to the viewer, particularly as the person moves. “When the light is more intensely reflected, the black appears less black, and its surface effects become more noticeable, more active,” asserted Soulages in 2007. Soulages’ black successively appears glossy or matte.

Outrenoir Room © RCR - musee Soulages Rodez

Musée Soulages in Rodez possesses a collection of the master’s works like none other. The painter was born in that city, on rue Combarel, in 1919; his father was an autobody craftsman. With support from Musée Soulages and the Association des Amis du Musée, the watchmaker Baume et Mercier approached Pierre Soulages with the project for a unique watch paying tribute to his work.

Indeed, his paintings constitute the meeting point of Baume & Mercier, Musée Soulages, and the Association des Amis du Musée Soulages. For Baume & Mercier, collaborating with Musée Soulages is a way to acknowledge how important art really is to the brand. This is more than a polite acknowledgment: it is a way of showing thanks for fulfilling our souls and the passage of time, inspiring us and thrilling us. Because Musée Soulages is a generous, bustling place that fosters conversation and is open to other artists. So why Soulages? Because his work continues to captivate as much as ever, even when it is not in view. His black galaxy asks questions, enchants, and baffles; shiny, matte, dusty, streaked, flat, smooth, polished or salient.

© RCR – musée Soulages Rodez

Outrenoir, a source of inspiration
Liberally taking inspiration from an Outrenoir painting by Pierre Soulages to turn it into a watch creation is an idea based on admiration and recognition, but bringing it to life poses a technical challenge. One work in particular guided the experiment, the exceedingly elevated Peinture 390 x 130 cm 17 mars 2019. This work – which the Soulages couple donated to Musée Soulages in 2020 – celebrates the painter’s 100th birthday, a testimony to his vitality and inspiration. The work guides the light through a play of overlapped panels of slanted streaks which sweep from one side of the composition to the other. The action painting technique that Soulages developed cuts into the black acrylic material to produce a variety of matte-and-shine effects. The light released by the painting is essential, in that it may also bear the full spectrum of colors. The challenge of the watch designer was to reflect the spirit and content of this work. To this effect, the Baume & Mercier team took care to bring out contrasts in the way light reflects off the watch components. Each detail of the dial and case is eloquent, revealing the beauty of the timepiece. The finishes take on their full meaning, as pertinent on the watch as they are on a painting. As for the research into color – black –, the exploration of its intensity was a major pursuit. The pursuit a black so deep that it would have an effect on the emotions.

Pierre Soulages in his workshop in Paris, 1999

When Pierre Soulages talks about his engravings, and particularly his etchings, he speaks of capturing time in space. A painter’s time is an action held up to view, a single sweeping stroke. To create a timeless work: this, of course, the quest of any painter or watchmaker who endeavors to measure and contain the passage of time.   Time has no hold on such a creation, whether it be a timepiece or painting; it stands the test of time without losing its beauty, strength and force of attraction. Both artist and watchmaker share the same desire to create a timeless piece.

Baume & Mercier’s tribute to Pierre Soulages and the House’s affinities with art 
This artistic and watchmaking commonality is natural for the House, which has had ties with the art world from its beginnings. As early as 1920, Paul Mercier’s personality as an art lover shaped the sensibility of all the collections to follow. When Paul Mercier partnered with William Baume in 1918 to found Baume & Mercier in 1920, he infused the brand with his appreciation for art and passed along his great creativity to its designs. He invited William Baume and his family to vacation on the French Riviera during the summer of 1922. His wife was a native of Nice, and his friends included a great number of painters and writers from the School of Nice. These connections shaped his aesthetic sense and his relationship with art, particularly painting. From then on, all his watch collections were designed with an uncompromising artistic sense in terms of shapes, volumes and proportions, inspired by boldness, modernity and freedom. In fact, that creativity was recognized very early on, at the prestigious watch and jewelry competition La Rose d’Or from Baden-Baden to Düsseldorf, in 1972 and 1973. The interaction between watchmaking and design which is deeply ingrained in the Baume & Mercier genes naturally led it to make this special connection with the work of Pierre Soulages, with both enthusiasm and humility.

© RCR – musée Soulages Rodez

The Hampton Collection, a territory for artistic expression
Baume & Mercier chose the Hampton model for its transposition of an Outrenoir work into a timepiece. The iconic Hampton asserts a rectangular dial and case evoking the proportions of a canvas. Since its launch in 1994, the Hampton has represented the ultimate non-round watch. It is distinctive for its design, inherited from one of the House’s models dating from the 1960s that was in turn inspired by the Art Deco of the 1920s. The aesthetic approach to clean, curved lines and perfect proportion demonstrates the artistic sense that is so important to the House. Indeed, it is no coincidence that the model has taken the Greek letter Phi – a reference to the golden ratio – as its emblem. The formal minimalism and understatement of the Hampton “Hommage à Pierre Soulages” helps to showcase this tribute to Pierre Soulages’ artwork, while the restraint of the refined timepiece echoes the purity that characterizes his paintings.

Even the exclusive case in which the watch is presented pays tribute to the contemporary architecture of Musée Soulages, designed by the Catalan RCR Arquitectes who won the prestigious Pritzker Architecture Prize in 2017. The cladding of the building is made up of Corten steel, which has an appearance of iridescent rust. Here, again, is the question of time and the patina that it creates. The timepiece will be accompanied by a leaflet telling details of the collaboration and a VIP pass for two for the Musée Soulages in Rodez. A book on the work of Pierre Soulages will also be sent to each owner of a Hampton “Hommage à Pierre Soulages”.

Hampton Hommage à Pierre Soulages, with rectangle sandblasted steel-DLC case (48.11 x 31 mm), sapphire case back with screws and «Hommage à Pierre Soulages n°xxx / 102» engraved, black dial inspired by the «Outrenoirs» paintings, Baume & Mercier metallisation written below the sapphire, black sword-shaped hands with gilt lines, automatic movement (ETA 2892) with black oscillating weight, interchangeable black nubucked alligator strap


World price: CHF 5,200

The “Hampton Hommage à Pierre Soulages” will be produced on demand in an edition limited to 102 (reflecting the age of the artist) individually numbered watches.

Through this partnership, Baume & Mercier will contribute to assisting Musée Soulages in enriching the collections presented there. The association Les Amis du Musée Soulages will guide collectors of the watch in their discovery of Musée Soulages



After graduating in journalism and communication, Nina has worked as a copywriter for watchmaking brands and editorial agencies for the past 15 years. At The Next Hour, she researches, writes and creates engaging content for various channels (digital, video, and social media).